Perennially appearing on our TV’s every Christmas, one of my
favourite movies of the mid-sixties with its full title “Those Magnificent Men in their Flying Machines; Or, How I Flew
from London to Paris in 25 Hours 11 Minutes” is always guaranteed to fill up 2 hours of
the festive period, assisting the recovery from the many over indulgences
previously incurred.
Starring such an eminent cast as Stuart Whitman, Sarah Miles, Robert
Morley, Terry-Thomas and James Fox, and directed by Ken Annakin, it was the
fictional account of an air race between London
and Paris, with a prize of £10,000 on offer, in
order to prove that Britain
was “Number one in the air”.
On 8th January 2015, it will be 25 years since
the death of British comedy film actor and “Magnificent Man” Terry-Thomas.
With his cultured accent, striking dress sense and trademark
gap between his front two teeth, Terry-Thomas is fondly remembered for often
playing disreputable members of the upper classes.
Born in 1911 as Thomas, Terry Stevens in Finchley, London, his father was a butcher at London’s famous Smithfield Market, who also
trod the boards as an amateur actor in his spare time.
Although the young Tom (as he was known at the time) spent a
generally happy childhood, he started fooling around by entertaining at home
with jokes and musical routines, all in an attempt to bring his parents
together as their marriage was failing. However they separated and had divorced
by the early 1920s.
He started cultivating his infamous, distinctive, well
spoken voice as early as 1921 with the belief that it would suggest of an
excellent education and that people would lookup to him. In hindsight it became
one of his most endearing trademarks and arguably a more iconic “cad” or “bad
egg” character actor has not been seen in British cinema before or since.
After expulsion from Ardingly
College in England’s
West Sussex for continual ad libbing and acting the fool during lessons, he
returned to London
to work at Smithfield Market and similarly to his father, also enjoyed a spell
in amateur dramatics in his spare time.
In the 1930s he progressed to making his first professional
appearance on stage and by 1933 had procured a small movie part in “The Private Life of Henry VIII” starring
Charles Laughton.
In “Those Magnificent Men….” Terry-Thomas played the part of
Baronet Sir Percy Ware-Armitage who, along with his bullied man-servant, they
sabotage two of the competing aircraft, drug one of the other pilots and
attempt to cheat by shipping their aircraft across the channel at night.
Anyone unfamiliar with the movie may see similarities to the
later 60s Hanna Barbera cartoon series “Dasdardly
and Muttley in their Flying Machines” (also remembered by many as “Stop the
Pigeon”). There were many similarities between Dick Dastardly and Terry-Thomas
and it is quite clear where the cartoon character persona stemmed from.
Suffering from Parkinsons’ Disease and depression in later
life, Terry-Thomas died in a nursing home at Godalming in Surrey
at the age of 78.
His persona has been used as an inspiration for many
performances over the years. Dustin Hoffman admits to basing his interpretation
of Captain Hook in “Hook” on him
while Rupert Everett styled his voicing of Prince Charming in “Shrek 2” on the English cad. The
British legendary puppet Basil Brush was also based on Terry-Thomas as were
Ronnie Corbett’s iconic monologue series in the BBC’s “Two Ronnies” TV show.
with Doris Day |
Terry-Thomas's friend Jack Lemmon called him "a
consummate professional ... he was a gentleman, a delight to be with
personally, let alone professionally, and above all as an actor he had one of
the qualities that I admire so much—he made it look simple"
Terry-Thomas was truly a magnificent man of stage and
screen.
His full filmography is available by clicking HERE
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